Danny Duggan runs a failing building contractors, and resorts to sub-gangster thuggery to keep the business afloat. However, with the bottom falling out of the building game, Duggan finds that playing at gangster is only fun when you're on the winning side.

Survival Gym chain is in crisis when the founder dies and son Kent is arrested but he suspects stepmother Jayne. In soap opera fashion the gym's trainers run the gamut from gigolo Gianni to struggling actress Cleo.

A woman married to a terminally ill man must make the agonizing decision to live for him or live for herself.

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

Münevver has left her fate in the hands of a stranger in order to save her family. Her journey, which begins in a small coastal town, carries the dark secrets of the past and the ruthless reckonings of the future to the glittering world of Istanbul. In this world, Türkiye's biggest star Kenan Akın is in the leading role behind the glittering scenes, with his own loneliness and addictions that he cannot escape. But neither the glittering scenes nor the dark secrets can hide the manipulative power behind Kenan which is his mother Keriman Akın. While Ahsen Çevik's pen searches for the truth of the story, she faces a different secret in every line. While Özge and Gani Ceylan are in the middle of a difficult love story, tossed between family ties and individual ambitions, they find themselves at the center of these secrets together with Münevver.

A muscular but meek fella strains under the pressures of masculinity and struggles to find work. After serendipitously landing a circus strongman gig, he proves a talented performer, but is he really man enough for the job?

Muscle Beach was shown in competition at Cannes in 1949 and won a prize at the Edinburgh International Film Festival in 1951. The short became a cult favorite, screening at film clubs around the world. Strick used an army surplus movie camera to shoot the film during weekends in the fall of 1948. The songs in “Muscle Beach,” composed and sung by political folk singer Earl Robinson, with lyrics by screenwriter and poet Edwin Rolfe, accent the film’s three-movement structure as it transitions between soaring gymnastics shows, flirty beachgoers and children playing near the now-demolished pier at Ocean Park. Preserved by the Academy Film Archive in 2009.

"Dismantling shame and advancing vulnerability are the two things I give fuck about."

A desperate mechanic's plan to escape his past unravels when his sister returns home and two violent debt collectors close in.